Excellent Seat Mod
Monday, January 04, 2010Email this article:
#lightbox{
position: absolute;
top: 40px;
left: 0;
width: 100%;
z-index: 100;
text-align: center;
line-height: 0;
}
#lightbox a img{ border: none; }
#outerImageContainer{
position: relative;
background-color: #fff;
width: 250px;
height: 250px;
margin: 0 auto;
}
#imageContainer{
padding: 10px;
}
#loading{
position: absolute;
top: 40%;
left: 0%;
height: 25%;
width: 100%;
text-align: center;
line-height: 0;
}
#hoverNav{
position: absolute;
top: 0;
left: 0;
height: 100%;
width: 100%;
z-index: 10;
}
#imageContainer>#hoverNav{ left: 0;}
#hoverNav a{ outline: none;}
#prevLink, #nextLink{
width: 49%;
height: 100%;
background: transparent url(http://lawrenceotoole.com/images/blank.gif) no-repeat; /* Trick IE into showing hover */
display: block;
}
#prevLink { left: 0; float: left;}
#nextLink { right: 0; float: right;}
#prevLink:hover, #prevLink:visited:hover { background: url(http://lawrenceotoole.com/images/prevlabel.gif) left 15% no-repeat; }
#nextLink:hover, #nextLink:visited:hover { background: url(http://lawrenceotoole.com/images/nextlabel.gif) right 15% no-repeat; }
#imageDataContainer{
font: 10px Verdana, Helvetica, sans-serif;
background-color: #fff;
margin: 0 auto;
line-height: 1.4em;
}
#imageData{
padding:0 10px;
}
#imageData #imageDetails{ width: 70%; float: left; text-align: left; }
#imageData #caption{ font-weight: bold; }
#imageData #numberDisplay{ display: block; clear: left; padding-bottom: 1.0em; }
#imageData #bottomNavClose{ width: 66px; float: right; padding-bottom: 0.7em; }
#overlay{
position: absolute;
top: 0;
left: 0;
z-index: 90;
width: 100%;
height: 500px;
background-color: #000;
filter:alpha(opacity=60);
-moz-opacity: 0.6;
opacity: 0.6;
}
.clearfix:after {
content: ".";
display: block;
height: 0;
clear: both;
visibility: hidden;
}
* html>body .clearfix {
display: inline-block;
width: 100%;
}
* html .clearfix {
/* Hides from IE-mac \*/
height: 1%;
/* End hide from IE-mac */
}
/* Begin Typography & Colors */
#hack {
background: white;
height: 0px;
width: 450px;
display: inline;
position: absolute;
top: 220px;
left: 50%;
margin: 0 0 0 -350px;
padding: 0;
z-index: 2;
}
body {
font-size: 62.5%; /* Resets 1em to 10px */
font-family: 'Trebuchet MS', 'Lucida Grande', Verdana, Arial, Sans-Serif;
background: url("http://lawrenceotoole.com/images/kubrickbgcolor.jpg") #d5d6d7;
color: #333;
text-align: center;
}
#page {
background: url("http://lawrenceotoole.com/images/kubrickbgwide.jpg") repeat-y top white;
border: none;
border: 1px solid #959596;
text-align: left;
}
#kheader {
background: url("http://lawrenceotoole.com/images/R5header.jpg") no-repeat bottom center #73a0c5;
}
#kcontent {
font-size: 1.1em
}
.widecolumn .entry p {
font-size: 1.05em;
}
.narrowcolumn .entry, .widecolumn .entry {
line-height: 1.4em;
}
.widecolumn {
line-height: 1.6em;
}
.narrowcolumn .postmetadata {
text-align: center;
}
.graybox {
background-color: #f8f8f8;
border-top: 1px solid #ddd;
border-bottom: 1px solid #ddd;
}
#footer {
background: url("http://lawrenceotoole.com/images/kubrickfooter.jpg") no-repeat bottom; border: none #eee;
}
small {
font-family: Arial, Helvetica, Sans-Serif;
font-size: 0.9em;
line-height: 1.5em;
}
h1, h2, h3 {
font-family: 'Trebuchet MS', 'Lucida Grande', Verdana, Arial, Sans-Serif;
font-weight: bold;
}
h1 {
font-size: 4em;
text-align: center;
}
.description {
font-size: 1.2em;
text-align: center;
}
h2 {
font-family: 'Trebuchet MS', 'Lucida Grande', Verdana, Arial, Sans-Serif;
font-size: 1.8em;
}
h2.pagetitle {
font-size: 1.6em;
}
#sidebar h2 {
font-family: 'Lucida Grande', Verdana, Sans-Serif;
font-size: 1.2em;
}
h3 {
font-size: 1.3em;
}
h1, h1 a, h1 a:hover, h1 a:visited, .description {
text-decoration: none;
color: white;
}
h2, h2 a, h2 a:visited, h3, h3 a, h3 a:visited {
color: #333;
}
h2, h2 a, h2 a:hover, h2 a:visited, h3, h3 a, h3 a:hover, h3 a:visited, #sidebar h2, #wp-calendar caption, cite {
text-decoration: none;
}
.entry p a:visited {
color: #b85b5a;
}
#sidebar {
font: 1em 'Lucida Grande', Verdana, Arial, Sans-Serif;
}
small, #sidebar ul ul li, #sidebar ul ol li, .postmetadata, blockquote, strike {
color: #777;
}
code {
font: 1.1em 'Courier New', Courier, Fixed;
}
acronym, abbr, span.caps
{
font-size: 0.9em;
letter-spacing: .07em;
}
a, h2 a:hover, h3 a:hover {
color: #8E8E8E;
text-decoration: none;
}
a:hover {
color: #FF6600;
text-decoration: underline;
}
/* End Typography & Colors */
/* Begin Structure */
body {
margin: 0;
padding: 0;
}
#page {
background-color: white;
margin: 20px auto 0;
padding: 0;
width: 760px;
border: 0px;
}
#kheader {
padding: 0;
margin: 0 auto;
height: 200px;
width: 100%;
background-color: #73a0c5;
}
#headerimg {
margin: 0;
height: 200px;
width: 100%;
}
.narrowcolumn {
float: left;
padding: 0 0 20px 45px;
margin: 0px 0 0;
width: 450px;
}
.widecolumn {
padding: 10px 0 20px 0;
margin: 5px 0 0 150px;
width: 450px;
}
.post {
margin: 0 0 40px;
text-align: justify;
}
.widecolumn .post {
margin: 0;
}
.narrowcolumn .postmetadata {
padding-top: 5px;
}
.widecolumn .postmetadata {
margin: 30px 0;
}
#footer {
padding: 0;
margin: 0 auto;
width: 760px;
clear: both;
}
#footer p {
margin: 0;
padding: 20px 0;
text-align: center;
}
/* End Structure */
/* Begin Headers */
h1 {
padding-top: 70px;
margin: 0;
}
.description {
text-align: center;
}
h2 {
border-bottom: 1px #e0e0e0 solid;
margin: 30px 0 0;
}
h2.pagetitle {
margin-top: 30px;
text-align: center;
}
#sidebar h2 {
margin: 5px 0 0;
padding: 0;
}
h3 {
padding: 0;
margin: 30px 0 0;
}
h3.comments {
padding: 0;
margin: 40px auto 20px ;
}
/* End Headers */
/* Begin Images */
img {
padding: 0px;
margin: 0;
}
p img {
padding: 0;
max-width: 100%;
}
img.centered {
display: block;
margin-left: auto;
margin-right: auto;
}
img.alignright {
padding: 4px;
margin: 0 0 2px 7px;
display: inline;
}
img.alignleft {
padding: 4px;
margin: 0 7px 2px 0;
display: inline;
}
.alignright {
float: right;
}
.alignleft {
float: left
}
/* End Images */
/* Begin Lists */
html>body .entry ul {
margin-left: 0px;
padding: 0 0 0 30px;
list-style: none;
padding-left: 10px;
text-indent: -10px;
}
html>body .entry li {
margin: 7px 0 8px 10px;
}
.entry ul li:before, #sidebar ul ul li:before {
content: "\00BB \0020";
}
.entry ol {
padding: 0 0 0 35px;
margin: 0;
}
.entry ol li {
margin: 0;
padding: 0;
}
.postmetadata ul, .postmetadata li {
display: inline;
list-style-type: none;
list-style-image: none;
}
#sidebar ul, #sidebar ul ol {
margin: 0;
padding: 0;
}
#sidebar ul li {
list-style-type: none;
list-style-image: none;
margin-bottom: 15px;
}
#sidebar ul p, #sidebar ul select {
margin: 5px 0 8px;
}
#sidebar ul ul, #sidebar ul ol {
margin: 5px 0 0 10px;
}
#sidebar ul ul ul, #sidebar ul ol {
margin: 0 0 0 10px;
}
ol li, #sidebar ul ol li {
list-style: decimal outside;
}
#sidebar ul ul li, #sidebar ul ol li {
margin: 3px 0 0;
padding: 0;
}
/* End Entry Lists */
/* Begin Comments*/
.graybox {
margin: 0;
padding: 10px;
}
.commentmetadata {
margin: 0;
display: block;
}
/* End Comments */
/* Begin Sidebar */
#sidebar
{
padding: 20px 0 10px 0;
margin-left: 545px;
width: 190px;
}
#sidebar form {
margin: 0;
}
/* End Sidebar */
/* Begin Various Tags & Classes */
acronym, abbr, span.caps {
cursor: help;
}
acronym, abbr {
border-bottom: 1px dashed #999;
}
blockquote {
margin: 15px 30px 0 10px;
padding-left: 20px;
border-left: 8px solid #ccc;
}
blockquote cite {
margin: 5px 0 0;
display: block;
}
.center {
text-align: center;
}
hr {
display: none;
}
a img {
border: none;
}
.navigation {
display: block;
text-align: center;
margin-top: 10px;
margin-bottom: 60px;
}
/* End Various Tags & Classes */
Highly collectible Yamaha TZ250A fully restored to original specifications. Motor and transmission rebuilt with good crank.Transmission checked and shimmed. All new gaskets and seals. New barrels were stripped on the original chrome because original chrome tends to flake, and were re-plated by Millenium Technologies with modern longer lasting plating.
Complete T1A Hitachi race CDI ignition. The ignition was checked on a test bed, and the slow speed coil was rewound to original specs by Motorcycle Electrics in Colorado. Now has a big fat blue spark from very low revs. Carbs are correct including the phenolic resin spacers and brass clamps. The tacho is mounted on a set of NOS rubber dampers that I have had for years just waiting for the right project.
The frame is in great condition with none of those annoying cracks that TZ's are often afflicted with. Swingarm is OEM and I had to get new bottom bolts fabricated to the original design out of stainless steel. Hardware was replated in bright zinc where necessary.
This bike is 99% original and needs only the correct front fender to be perfect. Reproduction fenders recently became available from Meed Speed in the UK. It even has the correct forks with the gull top triple clamp and double diameter staunchions and big drum brakes along with those fiunky sping mounted exhausts. The bike had been retrofitted with later type mufflers, and they were removed and the pipes professionally repaired to orginal.
Paint on the frame, swingarm and bodywork is better than original Yamaha race type piant but it was not over restored. This bike would look great in your collection or private museum or take it out for a track day, but I would swap out the pipes if you don't want to damage your hearing.
The seat has been recovered with a Meed Speed cover and it's really hard to get the shape right. I think it looks fine, and it replicates the stock slight step in the foam. Fairing is the US style used by Saarinen, Roberts and Carruthers at Daytona. It is fitted with the optional left brake - right gearshift favored by British. The brake and gear shift veres can be swapped to the "normal" side in about 2 minutes.
It is fitted with two new/almost new AVON race tires, but they are already a few years old and I would strongly recommend new rubber if yu want to run it round the track. I have the 3.00x18 Dunlop Triangular KR76 front tire if you want it for museum display. There are two sets of footpegs with teh bike. A nice looking afytermarket set and aless pretty original set of pegs.
This is not some hastily cobbled together bunch of worn out parts or modified street bike bits. It's all TZ and i built this one to replace the one I sold a few years ago. As usual, when I finish a project I take lots of pictures and then start the next project. I'm an engineer not a collector, so it's time for it to go to a new home. It is a race bike and was manufactured by Yamaha as a race bike. It is not titled and cannot be titled. A bil of sale will be provided. It cannot legally be used on the street and is push started.
Labels: Other
I almost sold it on Ebay but, was able to feel out how much I could get for it. I couldn't bring myself to part with. Anyways, keep the website up. It seems that there is resurgence in popularity in these bikes.
- Newtronics ignition (I would recommend installing this, worth the money)
- New Wiseco pistons (lucky that the stock bore just needed honing after finding that one of the lead counterweights let loose off of the crank and went whizzing through the rest of the motor)
- Used crank from another R5 motor I purchased as scrap from local motorcycle shop (50 bucks! score)
- Polished all the aluminum I could on the motor before re-installing
- New stock seat cover (Ebay not cheap)
- All new black paint job
- New stock hand grips
- Rebuilt carbs (found the piece you posted quite informative)
- As the cold weather approaches, the next task to tackle is chrome spokes on some aluminum rims
Labels: Other, Reader Mail
The concept behind the bike is to eliminate the paradigm of the welded tubular frame. Welded tube frame are labor intensive, require expensive jigs and fixturing, and the quality of the weld is very much dependant on the quality of the welder. In contrast, the RV100 frame components are cut on a numerically controlled machine (CNC). This makes the production of parts very repeatable, and makes the production of unique parts routine.
Labels: Other
Up for auction is a Jawa Speedway racer ! This is a alcohol burning 90 HP 500cc bike with no brakes! What a trip to ride! The bike is complete, runs and is very good condition with no damage . The tires are in very good condition. Study the pictures if interested, what you see is what you get.
The return of MV Agusta to racing in America is a reality. Using the F41000R in Superstock trim, Eraldo Ferracci brought the rudiments of his team and a pair of young riders to Jennings GP for a private two-day test using Pirelli tires on November 8 and 9, 2006.
Italian Superstock champion Luca Scassa (age 23) and American Matt Lynn (age 22) turned laps under mostly favorable conditions at the Florida track looking for basic setup information and a shakedown for the nearly stock motorcycles.
Scassa is well acquainted with the MV Agusta motorcycle and brought his suspension settings with him to an unfamiliar track. Lynn has raced at Jennings GP but started from scratch on a bike he had never seen or ridden. Both worked through the challenges diligently to arrive at a point where they could begin fine-tuning and offering feedback to keep the MV Agusta technicians heading in the direction of fielding a competitive machine for the US Superbike series.
By afternoon on the first day, both riders were already tantalizingly close to the track record of 1:15:444 of Canadian champion Pascal Picotte set earlier this spring at a joint test of all the Canadian Superbike teams. Just before lunch on day two, Scassa went 1:15.448 and Lynn 1:15.545 hand-timed.
Under sunny skies and with track temperatures climbing nicely, Scassa smashed the record in the mid-afternoon with a 1:14:81 and backed it up a lap later with a 1:14:85 on spec Pirelli tires identical to those used in the Canadian Superbike Championship. Lynn's best of 1:15.2 was also under the old track record and two seconds faster than he had ever been at Jennings GP.
Scassa said, "It's cool being in America, but for sure I came here to do a job and we did some good work. We have much more to do to make the MV Agusta into a superbike but the bike is good and work is OK for me. I'm excited to do this."
"I'm really excited," Lynn added. "We came here with a blank sheet of paper and went to work. It was a lot different from what I have been riding, but once we got the MV basically set up it was really fun. Eraldo knows what he's doing and what he wants. We just kept at it and that's what we need to do. I can't wait to ride it some more. It's fast!"
Ferracci will now travel to Italy to consult with the factory again, delivering information from the test and input from the riders and technicians. The next outing for the Fast by Ferracci MV Agusta F4 1000R will be at the Daytona tire test in December, after which the team will prepare in earnest for the 2007 AMA Superbike Championship.
Labels: Other
Labels: Other
Conceived by the leader of our conceptual design team, Mr. Ed Jacobs, the motorcycle is at once primitive, bohemian, and yet highly technical. She is skeletal, i.e. she showcases human crafts work. The machine is minimal ; using the fewest pieces, moving parts and systems to accomplish her dynamic mission. She is uncompromised, light weight, possesses enormous torque, is capable of extreme performance, yet has maximum real world streetable active safety. She is graceful in motion, yet potentially brutal. She exudes inner beauty through absolute follow through of truth of concept. She has great proportions, holistic brand gestalt, is original, impactful, alluring and elegant. The Driving concept was the creation of a conceptually flexible foundation to allow a place for growth and further iteration. A utilitarian modular flexible foundation.
Labels: Other
The 2007 MV Agusta F4-1000R raced across the salt flats during the 58th Annual Bonneville National Speedweek land speed trials (August 12-18, 2006) and into the Southern California Timing Association record books as the fastest production class 1000cc motorcycle in the world with an average combined speed of 185.882 MPH (299.148 KPH) and a highest single speed of 187.726 MPH (302.116 KPH).
A collaboration between Team Manager, Bob Leppan of TT Motorcycles, Rider Roosevelt ‘Rosey’ Lackey, Tuner Eraldo Ferracci of Fast By Ferracci Racing Products, Primary Sponsor, Gary Kohs, of Fine Art Models, and Matthew Stutzman, MV Agusta GM, the group focused their efforts on attaining the Land Speed Record for the 1000cc Production Engine / Production Frame (P-P) class previously set at 182.759 MPH. The 1000cc “P-P” record is particularly desirable as it based upon unmodified “showroom stock” production models available at any authorized dealer.
Throughout the qualifying runs, the F4-1000R showcased its renowned high speed stability while delivering a factory rated 174 HP and 81.8 ft./lb. of torque to the Utah Salt Flats, propelling the motorcycle unerringly to the very limits of traction and aerodynamics. Veteran rider Roosevelt 'Rosey' Lackey, who piloted the F4-1000R on its record run said that “the bike is so beautiful, it does everything you could want for it to do, with nothing ill at all in any way shape or form, no hiccups anywhere. I love that motorcycle just the way it is.”
The Bonneville effort is yet another step in the contemporary MV Agusta brand’s return to organized racing and complements emerging efforts in both Europe and the United States. Cagiva USA, Inc., the official North American importer of MV Agusta, has set its sights on AMA homologation for Superstock in 2007, and CEO Larry Ferracci notes that “with a performance like this at its Bonneville debut, the MV Agusta F4-1000R is proving to be the platform that will bring MV Agusta’s historic championship-winning success to US racetracks in the very near future.”
For more information and photographs, please contact Matthew Stutzman via e-mail at mvracing@cagivausa.com or by telephone at 215-830-3300 ext.160.
Labels: Other
Riding technique is important. If you are not in the power band (6000 rpm up), twisting the grip to full throttle is not useful, and actually just helps foul the plugs. Be very patient and wait, or shift gears, until the engine gets to at least 5000 before hitting wide open. Otherwise you are just dumping extra oil into the cylinders and ruining your plugs.
The mufflers are too restrictive even when absolutely clean. They rapidly strangle the machine as they plug up with oily soot. So you need to drill a couple of holes about one eighth or 3/16 of an inch in diameter in the end of each baffle so some exhaust gas can bypass the baffle. It's best to not drill in the chrome area, just beside the exit hole is OK. Then you have to keep the baffles pretty clean, and maybe make a scraping tool to clean them out without always having to remove them. A long screw was what I used. (about 10 inches) I used it kind of like a little rake to scrape out the baffle.
Metallic ash can foul the spark plugs. There are two sources of this, one is leaded gas, which you can't find any more so no worries there. The second source is the 2 stroke oil. Yamaha says use oil "BIA Certified for service TC-W" I don't even need to look that up, 20 years later it's still engraved in my memory. Actually, you sometimes can't find this stuff but what you are looking for is "Ash free" oil. You can check the label. The DS7 ran with lots of oil, and that what partly contributed to fouling but also made the engine last a long time under severe use.
THIS IS A WHEEL HORSE NOT SURE WHAT TO CALL IT OTHER THAN A HONDA/WHEEL HORSE WITH SIDE CAR
Labels: Other
Labels: Other
Labels: Other
A little more than a month after I had put the animation up I got a phone call from a somewhat confused person claiming he recognised the sound in my animation as his own creation. His name was Daniel Malmedahl and he said he had been contacted by a friend of his telling him to check out my website. I was a little uncertain at first but when he gave me the "proof" of performing the sound live on the phone there was no doubt he was the guy I was looking for. Apparently he was oblivious to the fact that his sound had spread around the internet, even before the Annoying Thing. He told me the he didn't actually make that sound as a joke at first, but as a serious attempt to imitate the 2-stroke engine of a moped of his. He has a talent and interest in imitating the sound of engines. This was about six years ago, and it wasn't until a friend of his put the sound on a CD that they used to play at parties he realised the hilarious quality of the noise. From that CD, the sound somehow found its way to the internet and eventually ended up in my mailbox...
Labels: Other